Cameras

If you’ve always hungered for a DSLR and more importantly, a Nikon DSLR, but never had ‘the ready’ to fill your ambition The could be your opportunity.

It’s hard to quantify the allure of the breed but undeniable is the bloodline, the technical excellence and innovative achievements of Nikon cameras and lenses. Priced just above point-and-shoot fixed lens digicams and well beneath the semi pro and full pro model DSLRs, the D3000 is an excellent pathway to the higher quality such a camera can deliver.

Nikon D3000 DSLR Features

In the hand, the camera is delightfully compact, light and to the novice’s eye ‘unsplattered’ by intimidating external controls. You view via an optical turret viewfinder or the rear 7.6cm LCD screen.

The review camera was supplied with the f3.5/18-55mm VR lens that handles hand-induced vibration. With this lens attached the gear weighs just under a kilo no penalty in my book.

Of course, there are a few issues when you deal with a Nikon DSLR: image stability is provided by the lens’ internal optics, and some of the attractively-priced kit lenses usually offered with the D3000 do not provide this.

With 10.2 million pixels on its CCD the camera can shoot a maximum 3872 2592 pixel image; when printed this accounts for a 33 22cm output at 300 dpi.

The mode dial has settings for auto, Program AE, aperture and shutter priority as well as manual exposure plus a number of scene modes (landscape, sports, portraits etc).

The built in flash can be useful especially as a ‘fill’ for portraits; the more adventurous can also experiment with light trails thanks to the flash’s ability to sync with the rear shutter curtain.

And note: DSLRs at this level have a macro mode, not available on the upper level reflex cameras. So, if you’re into ECUs (extra close-ups) of bugs and beetles, a camera like the D3000 is ideal.

Fire up the camera and the first thing you see is the LCD display confirming that the CCD is being cleaned pre-shoot; post-shoot, cut the power and the camera cleans the sensor again. With an interchangeable lens camera, this function is important, eradicating dust that may enter when you switch lenses.

Right from the start the beginner can feel at home, thanks to the Guide, selectable from the mode dial and shown on the LCD display. This will hold your hand through the various shooting modes and even help you move through some of the more advanced techniques. As well as this, settings made with Guide mode can even be tweaked before making the shot.

There is a Scene Recognition System that optimises exposure, white balance and autofocus; continuous shooting can be made at up to 3 fps and an 11-point selectable autofocus scheme tracks focus in any of four modes (static or moving subjects, auto area and 3D tracking).

The D3000’s photo editing functions give you in-camera retouching, and here again is a Tilt-Shift mode that I first encountered in the Ricoh CX2 it creates a miniature mode effect from normal shots. Cute.

The ISO range runs from 100 to 3200.

Optimum ISO at 100.

Still very clean at ISO 400.

Minimal noise at ISO 800.

Noise becoming evident at ISO 1600 but still useable.

Hitting its straps at ISO 3200 this is only when you really have to!

A movie house foyer, shot at ISO 3200 with the right subject, quite a useable setting. Detail in the picture covers the noise.

Photography at this level lets you into the exalted arena of RAW capture, where you can manipulate your shots to a degree not achievable with JPEG shooting. However, the D3000 will still shoot JPEGs, if you sometimes need only snapshot quality.

Digging around the manual I found a terrific mode that can shoot stop motion clips from a series of stills. You can make short video sequences from puppets or even hand-drawn animation that will run successfully on an SD TV set at 640 480 pixel res or you can even smaller create clips for use on the Web. Magic!

Comment

A great piece of kit. Beginners star here!

Why you would buy the D3000: attractive price for a DSLR; entree to Nikon system and lenses; RAW capture.

Why you wouldn’t: no Live View; no video capture (but you can make a stop motion movie from still shots!); low resolution LCD.

I figure the D3000 is a perfect entry-level camera, with some modes (like stop motion movies) that will give you a lot of fun, without the need for a lot of techy knowledge. Good one Nikon!

Nikon D3000 Specifications

Image Sensor: 10.2 million effective pixels.
Metering: Matrix and centre-weighted metering, spot.
Effective Sensor Size: 23.6 15.8mm CCD.
35 SLR Lens Factor: 1:5x.
Compatible lenses: Nikkor AF-S and AF-I.
Exposure Modes: Auto, Program AE, shutter and aperture priority, manual.
Shutter Speed: 30 to 1/4000 second, Bulb. Flash sync: 1/200.
Memory: SD/SDHC cards.
Image Sizes (pixels): 3872 2592, 2896 1944, 1936 1296.
Viewfinders: Optical pentamirror, 7.6cm LCD (230,000 pixels).
File Formats: RAW, RAW+JPEG.
Colour Space: Adobe RGB, sRGB.
ISO Sensitivity: Auto, 100 to 3200.
Interface: USB 2.0, AV, DC input.
Power: Rechargeable lithium ion battery, AC adaptor.
Dimensions: 126 97×64 WHDmm.
Weight: Approx. 485 g (body only).
Price: At Amazon the Nikon D3000 is or .

Body only: $799. With Nikkor f3.5/18-55mm VR lens: $949.

digital-photography-school.com

Beach photography presents many unique challenge to the amateur photographer due mainly to the extreme photographic conditions in which it is often undertaken. Contending with an abundance of light, reflections and movement can leave some photographers grasping at straws, but it can also produce some of the most starkly beautiful images of any subject matter. We’ve put together a list of things that you may want to consider more guidelines than rules, but which might help you take your beach photos from the realm of average to great. Well, at least we hope they do.

1) Shoot in the Golden Hours It is going to be very difficult to take an above average beach photo in the middle of the day. Even on cloudy days, there is usually going to be a problem with over exposure. While many photographers put their cameras away between 10am and 2pm, that time is usually extended dramatically when shooting beach scenes especially if you are lucky enough to live in an area with reasonably good weather. As you can see from the photos below, the best images are usually taken at sunset or sunrise, so try to emulate that.

2) Capture Motion With lower light and longer exposures comes the chance to capture the motion of the waves and sea. As you can see, this can really result in some haunting images that are ten different kinds of awesome.

3) Remember the Rule of Thirds Composition of beach photos is just as important as any other type of photography. Remember to consider the rule of thirds and you shouldn’t go too far wrong with your beach composition.

4) Remember the Sunny F16 Rule If you absolutely, positively must shoot at the beach when the sun in shining, then you might at least come away with some images worth looking at if you remember the sunny F16 rule. This is not an ideal situation, but if you are even remotely experienced with photography you will realise that there are very few ideal situations in this hobby and when they come up, you usually get a prize for the resulting images!

5) Take Advantage of Reflection Being around so much water is going to give you a lot of opportunities to take advantage of reflection. If you need some inspiration then check out these reflection photos to see what we mean. Getting reflections under the right circumstances can add a huge element of interest to your images.

6) Don’t Ignore Black and White While you may think of the water or beach as a place where you can get fantastic contrasting colours (and you would be right) you might also like to take a moment to consider black and white images. Some of the greats were able to get incredible black and white seascapes that ooze atmosphere. Look at this image for instance:

7) Use Driftwood in the Composition You can find it on almost any beach and you can use it in good composition and to draw the viewer’s eyes to an area of the image. You can also move it around to build the image you want. (Ok, some people might consider that cheating, but we all do it!)

Think About the Weather While the beach might provoke mental images of flawless cloudless days, more dramatic weather can result in incredible images at a beach. Look at the brewing storm in the image below to see what we mean or check out these storm photos to see what can be done when shooting in extreme weather.

9) Use Clouds for Drama Going along with considering the weather is watching out for clouds. Most of the best images of beaches somehow incorporate clouds into the composition to add interest to the beach.

10) Don’t Forget Night Time Beaches usually make us think about beautiful sunrises and sunsets. Don’t forget that you can get some spectacular night time beach photos too. There are a whole heap of separate issues in incorporating the moon into a photo but the results can be great. Check out our moon photos post to get some more inspiration.

Other Awesome Beach Photos

Concluding Thoughts

Shooting at the beach presents its own set of challenges with lighting, motion and composition. Even so, even a rudimentary adherence to some of the suggestions here should increase the chances that you’re able to capture an image a cut above most other beach photos. A bit of experimentation and deference to the conditions will mean you should come up with a couple of solid photos.

lightstalking.com

HDR (High Dynamic Range) images often make our eyes bleed. Don’t get us wrong, we think HDR is an awesome way to bring out lighting in a photograph that was difficult to bring out in any other way, but since the world was first introduced to HDR, it has been a little overdone by some folks. Now sometimes overdone has its place, but we should remember that you can also use HDR to produce realistic and beautiful photographs. Here are a few that we think get the balance just right.

Majestic Tree by G a r r y.

Strange by Christolakis.

Autumn at Rock Island Falls by Lee McCain.

Morning Meeting at the Fish Market by Lucas Jans.

Good Morning by Lutz-R. Frank.

The home of the red knight!! by fatboyke.

The Lightness of Being by Lee McCain.

Milan Il Duomo 12-01-2008 00h11 by Panoramas.

Single by Christolakis.

Steveston style Cosmetic Surgery Bow lift by janusz l.

Passeggiando by Roby Ferrari.

Into the future but not without the past by janusz l.

All Ashore by ecstaticist.

Sunrise and Fog on the Refuge by Lee McCain.

Holsbeek, Belgium by fatboyke.

View from our cottage by wili_hybrid.

Jungfrau by Pear Biter.

More Resources on HDR

• 50 Beautiful HDR Images from 50 World Cities
• A Simple HDR Tutorial
• Second Picture’s HDR Tutorial
• Stuck in Customs’ HDR Tutorial (PDF)

lightstalking.com